The childhood home of Henry Wadsworth Longfellow, The Wadsworth-Longfellow House is located at 489 Congress Street in Portland. Join us as we take a look inside with Maine Historical Society tour guide Allan Levinsky. open slideshow of the Wadsworth-Longfellow House
LONGFELLOW AT 200Staff artAnd he still has clout Born in Portland in 1807, poet Henry Wadsworth Longfellow was idolized in his day. His influence remains pervasive today. Maine Sunday Telegram 2/18/07
He once made words sing, and they will again This summer, when dozens of For three years, and through at least 300 tours through the Longfellow House on Congress Street, Charles Kaufmann got into the habit of reciting Longfellow's poetry. Maine Sunday Telegram 2/18/07
Longfellow inspires a play -- and a lifestyle Noel, a Portland actor and playwright, reveres Longfellow, and views the opportunity to write a play about the Portland native as an honor. Maine Sunday Telegram 2/18/07
Poet's life still offering lessons At Portland's Nathan Clifford School, teacher Cathy Buck doesn't give her third-graders an inch. Maine Sunday Telegram 2/18/07
Events will go far beyond poetry Longfellow celebrations will include films, lectures and even birthday parties. Maine Sunday Telegram 2/18/07
Longfellow's Maine
Longfellow was born in his aunt's house on the corner of Fore and Hancock Streets in Portland, as portrayed in this sketch by Chalrles Goodhue. Collections of Maine Historical Society #4122
Deering Oaks provided the setting for "My Lost Youth."He wrote "The Angler's Song" at The Longfellow's Farm in GorhamLovewell's Pond in Fryeburg was the scene of "The Battle of Lovell's Pond," Longfellow's first known published poem. It was published in the Portland Gazette on November 17,1820.
close portraitLongfellow was only 33 in this 1840 engraving by C.G Thompson, but he was already an accomlished writer and a Harvard professor. His poetry collection "Voices in the Night" had been published the year before to international acclaim. From the collections of Maine Historical Society. For more portraits and images, visit their Henry Wadsworth Longfellow commemorative website.
close Former Maine Governor Angus King reads "The Building of a Ship" (excerpt) [1:54, 1.7MB MP3 file]
Thou, too, sail on, O Ship of State! Sail on, O UNION, strong and great! Humanity with all its fears, With all the hopes of future years, Is hanging breathless on thy fate! We know what Master laid thy keel, What Workmen wrought thy ribs of steel, Who made each mast, and sail, and rope, What anvils rang, what hammers beat, In what a forge and what a heat Were shaped the anchors of thy hope! Fear not each sudden sound and shock, 'T is of the wave and not the rock; 'T is but the flapping of the sail, And not a rent made by the gale! In spite of rock and tempest's roar, In spite of false lights on the shore, Sail on, nor fear to breast the sea Our hearts, our hopes, are all with thee, Our hearts, our hopes, our prayers, our tears, Our faith triumphant o'er our fears, Are all with thee,are all with thee!/
Author Tess Gerritsen reads "The Arsenal at Springfield" [2:31, 2.3MB MP3 file]
This is the Arsenal. From floor to ceiling, Like a huge organ, rise the burnished arms; But front their silent pipes no anthem pealing Startles the villages with strange alarms. Ah! what a sound will rise, how wild and dreary, When the death-angel touches those swift keys What loud lament and dismal Miserere Will mingle with their awful symphonies I hear even now the infinite fierce chorus, The cries of agony, the endless groan, Which, through the ages that have gone before us, In long reverberations reach our own. On helm and harness rings the Saxon hammer, Through Cimbric forest roars the Norseman's song, And loud, amid the universal clamor, O'er distant deserts sounds the Tartar gong. I hear the Florentine, who from his palace Wheels out his battle-bell with dreadful din, And Aztec priests upon their teocallis Beat the wild war-drums made of serpent's skin; The tumult of each sacked and burning village; The shout that every prayer for mercy drowns; The soldiers' revels in the midst of pillage; The wail of famine in beleaguered towns; The bursting shell, the gateway wrenched asunder, The rattling musketry, the clashing blade; And ever and anon, in tones of thunder, The diapason of the cannonade. Is it, O man, with such discordant noises, With such accursed instruments as these, Thou drownest Nature's sweet and kindly voices, And jarrest the celestial harmonies? Were half the power, that fills the world with terror, Were half the wealth, bestowed on camps and courts, Given to redeem the human mind from error, There were no need of arsenals or forts: The warrior's name would be a name abhorred! And every nation, that should lift again Its hand against a brother, on its forehead Would wear forevermore the curse of Cain! Down the dark future, through long generations, The echoing sounds grow fainter and then cease; And like a bell, with solemn, sweet vibrations, I hear once more the voice of Christ say, "Peace!" Peace! and no longer from its brazen portals The blast of War's great organ shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.
Congressman Tom Allen reads "A Psalm of Life" [1:45, 1.6MB MP3 file]
Congressman Tom Allen reads "A Psalm of Life" [1:45, 1.6MB MP3 file]
What the heart of the young man said to the psalmist Tell me not, in mournful numbers, Life is but an empty dream! For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. Not enjoyment, and not sorrow, Is our destined end or way; But to act, that each to-morrow Find us farther than to-day. Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave. In the world's broad field of battle, In the bivouac of Life, Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe'er pleasant! Let the dead Past bury its dead! Act, act in the living Present! Heart within, and God o'erhead! Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sands of time; Footprints, that perhaps another, Sailing o'er life's solemn main, A forlorn and shipwrecked brother, Seeing, shall take heart again. Let us, then, be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.
Representative Herb Adams reads "The Landlord's Tale" / "Paul Revere's Ride" [6:56, 6.3MB MP3 file]
Listen my children and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in Seventy-five; Hardly a man is now alive Who remembers that famous day and year.
He said to his friend, "If the British march By land or sea from the town to-night, Hang a lantern aloft in the belfry arch Of the North Church tower as a signal light,-- One if by land, and two if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm, For the country folk to be up and to arm."
Then he said "Good-night!" and with muffled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, Where swinging wide at her moorings lay The Somerset, British man-of-war; A phantom ship, with each mast and spar Across the moon like a prison bar, And a huge black hulk, that was magnified By its own reflection in the tide.
Meanwhile, his friend through alley and street Wanders and watches, with eager ears, Till in the silence around him he hears The muster of men at the barrack door, The sound of arms, and the tramp of feet, And the measured tread of the grenadiers, Marching down to their boats on the shore.
Then he climbed the tower of the Old North Church, By the wooden stairs, with stealthy tread, To the belfry chamber overhead, And startled the pigeons from their perch On the sombre rafters, that round him made Masses and moving shapes of shade,-- By the trembling ladder, steep and tall, To the highest window in the wall, Where he paused to listen and look down A moment on the roofs of the town And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead, In their night encampment on the hill, Wrapped in silence so deep and still That he could hear, like a sentinel's tread, The watchful night-wind, as it went Creeping along from tent to tent, And seeming to whisper, "All is well!" A moment only he feels the spell Of the place and the hour, and the secret dread Of the lonely belfry and the dead; For suddenly all his thoughts are bent On a shadowy something far away, Where the river widens to meet the bay,-- A line of black that bends and floats On the rising tide like a bridge of boats.
Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride On the opposite shore walked Paul Revere. Now he patted his horse's side, Now he gazed at the landscape far and near, Then, impetuous, stamped the earth, And turned and tightened his saddle girth; But mostly he watched with eager search The belfry tower of the Old North Church, As it rose above the graves on the hill, Lonely and spectral and sombre and still. And lo! as he looks, on the belfry's height A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns.
A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, And beneath, from the pebbles, in passing, a spark Struck out by a steed flying fearless and fleet; That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his flight, Kindled the land into flame with its heat. He has left the village and mounted the steep, And beneath him, tranquil and broad and deep, Is the Mystic, meeting the ocean tides; And under the alders that skirt its edge, Now soft on the sand, now loud on the ledge, Is heard the tramp of his steed as he rides.
It was twelve by the village clock When he crossed the bridge into Medford town. He heard the crowing of the cock, And the barking of the farmer's dog, And felt the damp of the river fog, That rises after the sun goes down.
It was one by the village clock, When he galloped into Lexington. He saw the gilded weathercock Swim in the moonlight as he passed, And the meeting-house windows, black and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon.
It was two by the village clock, When he came to the bridge in Concord town. He heard the bleating of the flock, And the twitter of birds among the trees, And felt the breath of the morning breeze Blowing over the meadow brown. And one was safe and asleep in his bed Who at the bridge would be first to fall, Who that day would be lying dead, Pierced by a British musket ball.
You know the rest. In the books you have read How the British Regulars fired and fled,--- How the farmers gave them ball for ball, From behind each fence and farmyard wall, Chasing the redcoats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load.
So through the night rode Paul Revere; And so through the night went his cry of alarm To every Middlesex village and farm,--- A cry of defiance, and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo for evermore! For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.
Commemorated by the United States Postal Service, Henry Wadsworth Longfellow became the 23rd honoree in the Literary Arts series, March 15, 2007, during the American Stamp Dealers Association Mega Event in New York City.Order 39¢ Longfellow Stamps from the USPS
Roll the CreditsMore than 30 movies and T.V. shows have been based on Longfellow's poems, including animated films, foreign films, and the first film to star an all–Native American cast.
At right: Detail of a handbill for the movie "Hiawatha," which played at Portland's State Theater on Congress Street in 1952.Collections of Maine Historical Society #11278
Timeline created by Portland Press Herald/Maine Sunday Telgram staff Artist Jeff Woodbury. Longfellow portait details from 1815 (#4141), 1840 (#4120), 1843 (#4117) and 1870 (#4121) courtesy of the Collections of the Maine Historical Society; from 1825 (#15564) and 1854 (#15565) courtesy of the Bowdoin College Library, Brunswick, Maine; from 1846 (#15896) courtesy of the National Park Service, Longfellow National Historic Site; from 1859 (#16468) courtesy of the Bowdoin College Museum of Art, Brunswick, Maine. Numbers in parentheses are Maine Historical Society item numbers.